Automatic Drawings
Self Portrait, 1993
Ink on paper
12 x 9 in. (30.48 x 22.86 cm.)
Inevitable Incision/Incision inévitable, 1994
Ink on paper
12 x 9 in. (30.48 x 22.86 cm.)
ml cm 2 8 0 Pope Hat 2 7 3 0 3 “, 1993
Ink on paper
12 x 9 in. (30.48 x 22.86 cm.)
Dos Para Tres/Deux Des Trois, 1994
Ink on paper
12 x 9 in. (30.48 x 22.86 cm.)
CRUTCH®, 1995
Ink on paper
12 x 9 in. (30.48 x 22.86 cm.)
Pleasure®, 1995
Ink on paper
12 x 9 in. (30.48 x 22.86 cm.)
Macaroni Self Love/L’amour de Soi Macaronis, 1994
Ink on paper
12 x 9 in. (30.48 x 22.86 cm.)
PIE® (Trap), 1995
Ink on paper
12 x 9 in. (30.48 x 22.86 cm.)
PIE® (Clown), 1995
Ink on paper
12 x 9 in. (30.48 x 22.86 cm.)
MISTRUST®, 1995
Ink on paper
12 x 9 in. (30.48 x 22.86 cm.)
Please inquire about other works available from each series.
Automatic drawing from the mid-'90s. Continual lines, no under-sketching – during a period experimentation, travel, and tripping psychedelia.
Automatic drawing can be described as "expressing the subconscious." It is implied that one should draw randomly across the paper without any rational thinking. There is no logical control at all. All original and one-of-a-kind.
“I know that when I finish a drawing, my anxiety level decreases. The realistic drawings are a way of pinning down an idea. I don't want to lose it. With the abstract drawings, when I'm feeling loose, I can slip into the unconscious.“
—Louise Bourgeois